Tuesday, 24 November 2009

Final CD covers and print ad after feedback...

Inlay 1
Inlay 2

front coverback cover

This is what we intend to submit as our final CD cover front and back after recieving some feedback on it.




After much deliberation we decided to look at the print ad again as we felt that the most recent ad up to this point was not effective at all.

Friday, 13 November 2009

Research


http://www.youtube.com/watch?v=FBpC5iIKcUU

We looked at this video and would like to take some inspiration from it as it is one of the few videos we have seen of this genre to serve the same purpose.

Thursday, 12 November 2009



This is another mock up CD cover. We need to make a few alterations to this as there is no direct mode of address and the copy isn't as clear as we would like it to be. I also feel that to use the ! in the name would be trying to communicate to the audience that there is a likeness to P!NK. This is not desirable so we have had to rethink this idea.
Also the cartoon heart needs to be photoshopped again as the outside line is too thick and the colour doesn't fit in with the rest of the cover. It would be preferable if the artist was higher up the cover too.

Mock Up CD Cover...



This is our mock up CD cover. We tried to stick to a colour scheme of red and black to fit the codes and conventions we found of the genre. We decided that this didn't work as well as we would have liked it to.
We tried to follw the conventions of other CD covers we have seen and analysed however this didn't work out so well. The direct mode of address, the cartoon heart and the colour scheme just weren't the secret to creating a successful CD cover.
The copy didn't stand out well enough, the back cover didn't match the front cover and the artist is never moody nor sexy.
However it is successful in that we stuck to the conventions of an urban background and direct mode of address to engage the audience.




Original images...






These are just a few of the photos we took when we were playing around with CD cover ideas. We found the image we wanted originally for the background of the CD cover and the print ad quite difficult to take. Despite living in Birmingham we discovered that there are very few places where we can get a decent picture of an urban nightlife setting with good lighting and without other buildings ruining the image by having the wrong kind of architecture.




Wednesday, 11 November 2009

Filming...

We have begun filming our music video now. On the whole this has gone to plan however there has been a number of issues concerning where we can actually film our piece and also time. We are devoting every spare minute between now and the deadline to this product as we realise it is essential that it is completed on time. Weather permitting our new filming locations for two of the scenes should be ok.

We have already edited the scenes we have shot.

EDIT:
Since we last filmed we have encountered a few problems. We disliked some of the shots we took last time as they were either too long, not dramatic enough or just bad shots which we couldn't work with. We also realised that our storyboard was more storyline orientated than performance based. We plan to refilm these scenes and the others this tuesday coming.

EDIT:
Last night and monday night we filmed the entirety of the storyboard from scratch. We changed some of the original shots out of convenience as we couldn't find a suitable location for some shots and others we difficult due to lighting. In doing so we have added more performance scenes for the artist. These scenes were shot when we retook the initial shots of the artist. Everything we have refilmed was worth the extra bit of effort and time as it will ensure our final product is the best it can be by following the conventions of the music videos we previously analysed, particularly those of Avril Lavigne and Katy Perry.

Today we intend to upload and edit the final bits of footage we have.

Wednesday, 21 October 2009

Shooting Schedule...





We intend to stick to this shooting schedule as much as possible however it is inevitable that there could be potential problems concerning lighting, weather and availability of actors. As we are expecting these problems we will try to be flexible and work around prior plans.

Song Name...

When it came to deciding on a new name for the song we intend to use I decided that the word 'pretence' would be appropriate as it is a word which is used quite often int he song. It also has connotations of a false relationship which is like a game of 'pretend'.

Inlays...














These examples of inlays have been taken from the dance genre as well as the pop/rock genre as our initial research was based on both.
- Artist is central to the frame
- Album title generally repeated
- Same or similar image to the front cover of the CD therefore similar codes and conventions can be applied to the inlay.

Artist Name...

After playing around with a few names we have finally decided on a name which we feel suits our artist. We wanted to do something similar to 'P!nk' who challenges the connotations of her 'name' as she doesn't fit any of the connotations of the work 'pink'. For our artist we want to challenge gender stereotypes to conform to our genre so we want a name which has male connotations as well as female connotations. It must also be edgy to engage the target audience.

We chose the name 'Syd Marie' as it has male connotations and by adding 'Marie' on the end it instantly feminises the male persona which is created by the 'Syd' part of the name.


Timeline for video...

Song name- Pretense

0-4 Introduction
Mid shot of the artist, central to the frame with a direct mode of address.
4 seconds to establish the artist.

(5-18 seconds is establishing the couple are together)

5-6 I’m stuck inside
Male going out of the door

7-10 I’m trapped I’m crying
Mid shot of female in the house sat on bed

11-12 I’m torn apartmale in a social surroundings

13-14 Inside I’m dyingmale is in social situation

15-18 And I can’t breathe I can’t think but I’m willing to do anything
flash back female is sat at home

19-22In a shop

23-25 Not to put your heart in pretence
female is looking at magazine

25-27 Every time I breathe
heavy sigh of female

27-31 Not to think about you every time I want to fall asleep
male puts his arm around the female

31-35 You beg the life you took away
puts down magazine and moves away

36-39 You suck the life right out of me
he comes up behind her, opressing

40-45 Return my heart to its respected place
walks out of shop ad
end flash back

46-47 Cant take the pressure
artist sings, hands in front of face, falls to ground

47-52 Cover my eyes so I cant see you
female covers eyes

53-54 Hiding the truth
close up of bottle being put in the bin

54-56 Consuming the booze
male still out having a good time

57-1:01 I cant be the best of me
female trying to sleep

1:02-1:04 So I’m willing to do anything
tossing and turning in bed

1:05-1:08 Not to put your heart in pretence every time I breathe
thinking about the male

1:09-1:12 Not to think about you when I want to fall asleep
dissolving images of him, can't get him out of her thoughts

1:13-1:17 you beg the life you took away
blocking out images

1:17-1:20 You sucked the life right out of me
blocking out images

1:21-1:28 Return my heart back to its respected place
sleeping

1:29-1:30 Can’t take the pressure
artist sings, close up shot, Pink 'So What' cover style, clenched fists

ARTIST SINGS: can only see the artists lips

1:31-1:34 He can’t seem to face himself
artists lips

1:34-1:37 He turns away crying for help
he turns his head away, in the street, evening but not dark

1:38-1:42 He’s changing more and more everyday
close up on artists lips

1:42-1:43 She loves him
two shot, the males in it and the artists lips are in it

1:44-1:46 But it wants to go away
close up on lips

1:46-1:50 You beg the life you took away
female stood at the door

1:51-1:54 You sucked the life right out of me
getting her life back, happy

1:55-2:01 Return my heart back to its respected place
throwing his things together

2:01-2:03 Can’t take the pressure

ARTIST SINGS

2:03-2:07 Give back the life you took away
female grabs males bags

2:08-2:11 You sucked the life right out of me
female (shutting) slamming door after pushing him out

2:12-2:17 Return my heart to its respected place
male slowly walking away- power

2:18-2:19 Can’t take the pressure
image fades out as music fades out

Lyrics from song...

I’m stuck inside
I’m trapped I’m crying
I’m torn apart
Inside I’m dying
And I can’t breathe I can’t think but I’m willing to do anything
Not to put your heart in pretence
Everytime I breathe
Not to think about you everytime I want to fall asleep
You beg the life you took away
You suck the life right out of me
Return my heart to its respected place
Can’t take the pressure
Cover my eyes so I can’t see you
Hiding the truth
Consuming the booze
I can’t be the best of me
So I’m willing to do anything
Not to put your heart in pretence everytime I breathe
Not to think about you when I want to fall asleep
You beg the life you took away
You sucked the life right out of me
Return my heart back to its respected place
Can’t take the pressure
He can’t seem to face himself
He turns away crying for help
He’s changing more and more everyday
She loves him
But it wants to go away
You beg the life you took away
You sucked the life right out of me
Return my heart back to its respected place
Can’t take the pressure
Give back the life you took away
You sucked the life right out of me
Return my heart to its respected place
Can’t take the pressure

Song!!

We have now chosen a song which we will base our artist and all the products on.

(http://www.unsigned.com/casondrakay)

We chose this song because we found it to be quite similar to La Roux's song 'In for the kill' and this is the kind of song we have had in mind for quite some time now. We have also decided to lean towards the electro-dance scene as opposed to pureoly dance music as we found this to be too broad a genre in which there are actually more male unsigned artists than female artists.

Artefact mock ups...


This is what we propose our CD cover looks like. It is all based on CD covers we have looked at such as Avril Lavignes' 'let go'.





This is the start of a storyboard we would consider following for our final music video. Again we have tried to keep to the codes and conventions of the products we have analysed.





This print ad has been based soley on Dizzee Rascals print ad as it was the only one we could find.





Artist Profile...


She's been singing since the age of 8, when she would entertain her friends with her musical talents. The message of her music is to be your own person and follow your own mind.
Now, she is a singer and songwriter, who is committed to her passion for singing. The artist's main drive is her potential, she wants to set an example to stand out from the crowd. She's a versatile musician who admits to a variety of genres however her passion is pop/rock.

Pitch Reflection...

I believe our pitch went quite well. We justified all our decisions and came to several conclusions regarding our products.

Storyboard...








This is the final version of the storyboard we intend to follow whilst filming our final product. A variety of shots have been planned and camera movements vary too.
Everything has been done to fit the purpose of applying the codes and conventions of the videos we have analysed.
Due to unforeseen circumastances this storyboard will be changed slightely; the shop scene will now take place in a bus stop or similar place with a slightly different storyline and camera shots will need to be looked at again. Also the males social setting needs to be rethought as there have been some problems finding a suitable location where we are actually allowed to film.

Reflection Of All Research...

We completed our audience questionnaire in our group, bringing together our results in order that we had sufficient and a range of information in order to aid us in creating our product. We each asked around 40 people ranging our results. Our questionnaire contained both demographic and psychographic information, including quantitive and qualiative data. We used this when creating our detailed audience profile, we now know exactly who is it that we are aiming the product at and can base our cross media campaign on this information to ensure that we carry this out successfully. We then created graphs and tables displaying our results so that we could access these easily.

In our group we decided on the genre of Pop Rock, we are all focusing on our analyses in order that we can develop ideas for our product with key codes and conventions. We often used BBC radio one's chart list to look at the CD covers and videos as this lists singles under the heading of our genre.

Analysis of results (brief):
The majority of the people we asked were between the ages of 17 to 22. We tried to vary the age ranges but people of this age range were easily accessible to fill out our questionnaires and we mostly know people of this age range. We think that this is going to make a difference to our overall results. The majority of the people we asked were female; again, although we tired to vary it we tended to ask more females than males. The overall preferred genres were dance, rock and pop so we went with the genre of pop rock after researching both pop rock and dance music and also videos and CD covers. Our genre result is definitely affected by the age range that we asked especially since genres such as alternative, world and country were preferred by no one that filled out our questionnaires. Most people said that the cover is important to them; this would influence their choice heavily and would need to grab their attention.

Target audience ( Audience Profile):
From creating our questionnaire we were able to create our audience profile so that we knew exactly who our target audience was and who our product was to be aimed at. We decided to aim it at both genders however more towards females, this was perhaps affected by our results as we tended to ask slightly more females than males.

We decided that they would be of the age 16-25 as this is the age range determined from our questionnaire; this is also the age range that would more than likely be listening to these songs as part of nightlife and social occasions.

Codes and conventions:
We will use the codes and conventions of CD covers and videos in order to conform to our genre so that we create our product effectively.

Music video:
We analysed 6 music videos from our genre of Pop Rock. We found that in order to conform to the genre when creating our product we need to keep in mind that there are very specific conventions for the videos of our genre such as the following:
- Intercuts are used to link scenes and characters
- Lighting is often natural to add to verisimilitude
- A direct mode of address is often used
- Colours are often quite plain and natural
- The editing is very fast and pacy linking to the style of music
- Costume plays a major part, establishing artists and setting up a 'look' meaning that they easily recognisable.
- Often a male or a relationship is featured in the video
- Some kind of performance whether it's the artist singing at someone or the artist performing for a crowd.

Magazine posters:
Originally we had trouble in finding 6 print adverts. We looked in magazines and on the Internet but these are proving hard to find. Perhaps this is due to this no longer being such a popular way of advertising.

We have looked online and have been to magazine shops yet haven't been able to find adverts for our genre of music. We have been able to find many adverts for rock in magazines such as Kerrang but magazines such as 'Smash Hits' and stereotypical music magazines are no longer available. We also looked at MixMag but again didn't find an advertisement for our genre. We think that we had so much trouble as we were looking for an advertisement promoting specific tracks by the artist.

We considered other ways of advertising such as billboards yet still struggled to access these. We have used many search engines such as google and ask.com. We have looked for both adverts to promote artists and albums yet have been unsuccessful.

The significant absence suggests that advertising and promotion through magazines is no longer such a useful or such a efficient way of promotion. In recent years technology has advanced so much that provides a much more efficient way of advertising.

We are going to look at the supplement in the Times newspaper, even if we are unable to access advertisement for our genre, at least we will be able to analyse various adverts and get a feel for them. This will more than likely pose a small problem when we create ours as we won't have any specific codes and conventions to follow, we will have to be very careful in doing this as we could make a grave error.



We have since brought The Times, however this proved unsuccessful as we found no print advertisements in this edition for any genres, we have decided to look at the 'new media', we are going to analyse 'my space' pages, most of these pages have their own identity when advertising the artists and we believe that this stand us in good stead for creating our advertisement as it will appeal to the younger generation, this being our target audience.

CD covers conventions:
- Features the artist or band, central to the frame
- Uses a direct mode of address
- Copy: lower case or capital lettering or sometimes a mixture of both
- Copy: minimalistic and all that the audience needs to know like band/artist name
- The colours often natural
- The colour scheme from the front cover is carried onto the back, extremley common with the genre.
- Clothing often mimics the style of the music and is quite edgy
- Women artists challenge gender stereotypes, seem out of control

Narrative theory/issues concerning representation:
Often the videos conformed to Todorov's narrative theory, there was a clear linear narrative to establish the story for the audience. Often the videos challenged Propp's stereotypes as the female artist often had power and status challenging the idea of men holding all the power and dominating women. This is often displayed in 'Pink' and 'Avril Lavigne' these females take dominance and they have status, they aren't controlled by men, challenging society's ideologies concerning gender roles. There is no 'princess', 'father', 'hero', 'villain', these videos completely contrast with Propp's theory.

We also looked Dyers star theory as we thought that this was appropriate for developing our product for how the star (the artist) is constructed to appeal to the audience. 'The concept of a star is an image. The star persona is constructed in line with the ideologies of the institution and is intended to appeal to the audience. The image often has little relation to the reality of the star.'We know that this will be important in constructing our 'star' in engaging the audiences attention.

Institutional context:
For our institutional research we must consider factors such as record labels, who will sign it? We must also consider websites, what websites can we put the product on? What websites contain music videos? We can look at websites such as channel 4 music. We also need to consider new technology such as IPods, this can affect our product as the image has to be much smaller to fit o a ipod screen and must still be recognisable, and these are things that we must consider. We also need to look into the background of music television, it hasn't always been around. We need to consider also the television channel to put our product on, we have looked at MTV however we know that there are many other Channel's that we could promote our product on, which we could also look further in order to have more background knowledge to develop our product.

We looked at the history into dance music, we also looked at EMI, the history into EMI, information such as acts signed, how successful they are and how appropriate they are for the band/artist we are using. This is helpful to us as we need to know where we will send our CD, who will be our record label. EMI have a wide variety of artists, they specialise in new and upcoming artists and have been the record label for artists like Lily Allen and The Sex Pistols, they have two categories, also having EMI publishing. They get their money from sales and date back to 1897, being one of the oldest record companies to date.

We also looked into MTV, we thought that this channel was a good match for our genre; also as it is very well known we thought that it would be an appropriate institution for us to research. The people watching this channel would generally be our target audience, they would be fans of pop rock music and expecting this genre, immediately we would have their attention.

It is also important to consider that MTV is a digital channel therefore a subscription to a provider like SKY or Virgin is needed, this means that their audience is slightly limited however in the next few years with everyone going digital this will not pose such a problem. It plays both underground and mainstream videos so has a wide target audience, it also plays tracks that aren't so well known 'up and coming' artists, this would be ideal for our product as the target audience would need to get to know the band well.

Dyers Star Theory Research...

More in depth information is on this webpage.
http://www.mediaknowall.com/Popular%20Music/popstartheory.html

To be a star in media terms is to have brand awareness and to have had a significant cultural impact on society.

Institution Research...

Kerrang! TV is a digital television station owned by Box Television, which is loosely connected to the magazine, Kerrang!. As of 2005, all of its programme content is music videos, the majority of which is open scheduled, for text requests from their playlist.
The TV station's playlist is mainly nu metal and pop-punk/skate punk, although with some unusual exceptions. Certain bands, such as Tenacious D and Limp Bizkit get higher than average play rates, due to higher rates of text requests. Themed 30 minute segments often cover artists who are on the playlist, with large numbers of videos, most noticeably Fall Out Boy, Green Day and The Offspring. There are also some unusual plays, such as Beastie Boys, and The Bloodhound Gang. Rap artist Eminem has many of his videos played on Kerrang, which has caused controversy among long-time fans. This has also lead to criticism of racism on the part of Kerrang; because black musicians such as Jimi Hendrix, despite being considered an historically vital rock musician, does not receive airplay, while white rappers such as Beastie Boys and Eminem do.
The station unusually guarantees to play a requested video, unlike others where a voting system is in place. However, it may take some time for the video to be played.
It shares much of the ethos of its namesake magazine, although it will not go as far as to play unsigned acts or veer too far off music which is accepted by the mainstream, as its 0.1% share of the overall viewership actually amounts to a very high share of the music television market. Heavy metal is least played, as Death metal and black metal are very rarely played, although extreme metal act Cradle of Filth have appeared on late night Kerrang! and even day-time Kerrang!TV from time to time. Indeed more mainstream rock acts are favoured. British and American music is most featured, however European music is rarely. Gothic metal and Power metal are rarely played.
Many of the videos shown are heavily censored to remove profanity, violence, and references to God and religion. The censorship usually takes the form of dubbing out the offending phrase or by blurring the picture.
Often, they will show video countdowns. Ones that have been shown are 'moshing anthems, 'A-Z of Punk', 'Today's 10 Most Rockin' and 'Metal: 87-07'and 'overdrive'.
The station has an annual video countdown called the Rock 100, which covers the 100 most requested videos on the station (Rock or otherwise) in the previous year, and with links between blocks of tracks given by one of the featured bands. In 2005, Good Charlotte presented the Rock 100 from a strip club in Manchester. In 2009, Charlie Simpson voice-overd the show with clips from people's vote in the Download festival.
It is part of subscription packages on all platforms, which include Sky Digital, and Virgin Media. It is part of a boquet of channels owned by Box Television, which include 4Music, Smash Hits!, KISS, Q, The Box, FHM and Magic.

Debut

The first broadcast of Kerrang! TV had a countdown of voter's most desired videos. The most popular choice and the first video ever shown on Kerrang! TV was Nirvana's Smells Like Teen Spirit. Limp Bizkit's Break Stuff and Everlast's Black Jesus were also in the first 3 videos ever played.


This information is from wikipedia and will be added to if additional information is found.

Print Products Analysis...


I have come to the conclusion that this form of advertising is no longer effective as I have found it extremely difficult to find any print ads for recent albums or artists of the dance genre. Where I have found print ads they are not relevant to my genre of choice; they are relevant to the rock and metal genres more than any other. This could be because it tends to be people who are interested in those genres that regularly buy magazines purely about music. People who are into rock/pop music often prefer to listen to the radio or watch music channels to find out about new music.

When I come to this part of my advertising campaign I will need to find a way to make sure that this form of advertising is somehow successful with the target audience. The problem is that there are very few magazines specific to my genre, and few people who are interested in this genre buy or read magazines on a regular basis. It is preferable for the target audience to just go online or hear about new music through friends and other media forms.


I have however looked at some myspace pages for bands which are relevant to the genre I am researching.



ASHLEE SIMPSON MYSPACE PAGE



The copy on this artists MySpace page is particularly interesting in so much as how it relates to the actual album more than the artist. The first letter of each word may be in bold to show that it can be abbreviated. It is in capitals so that it is clear and easy to read. It is all on different levels to show that it isn’t balanced; this is to link back to the title of ‘Bittersweet World’ and put across the point that nothing is ever fair or equal.

The artist in the image is looking at the audience through her hair in order to mask her identity. The sultry pose is intended to engage a male audience through sexualizing the artist. This is common of female artists as males are much more self-conscious when it comes to listening to female artists’ music as it threatens their masculinity.

The fact that the artist has blonde hair and is wearing a hoodie challenges gender ideology. This is because ‘hoodies’ are often depicted as being males who carry knives, the artist however is female, blonde and looks quite innocent in this image. This links back to the album title.

A direct mode of address allows the artist to connect with her audience through the uses and gratifications theoretical concept.



PARAMORE MYSPACE PAGE




The band uses a simple, clear copy for their name to ensure that everyone can read it with ease. The font is very rounded, possibly to suggest that their music is not overly edgy and that they have a lot of life experience.
The image is of the band in its entirety as opposed to just the lead singer who is looked to as the face of the band by a huge number of fans. The fact hat the whole band is shown connoted that they are all equality important and that hey are more than just members of a band, they are friends also. The long path behind them could possibly connote their path and how they have changed since they first came together as a group and how their ideologies have progressed and how their audience has changed. They have picked up and left fans along the way into heir musical career due to publicity and they have possibly become more commercial in order to attract a wider audience.

The image challenges the conventions of a stereotypical alternative band as it is set in an outdoor location in the countryside as opposed to an urban setting or indoors.

A direct mode of address has been used in order to connect the band and the audience to build a relationship. This idea can be applied through the uses and gratifications audience theory. The lead singer is central to the frame as she is considered to be the face of the band.

Videos and images are overlapping on the top banner, this could show that the product is more important than the actual band and their music as by having adverts obscuring part of the image of the band the impression that the product is what drives them is given out to the audience.

CD covers...

Avril Lavigne - Girlfriend


The artist attempts to hide her identity from the audience by obscuring her eye with her hair. Despite this the artist uses a direct mode of address, although she is not central in the frame, in order to connect with her audience through use of the uses and gratifications audience theory.

The colours red, blue and white are on the back of the artists’ costume. This is possibly another way in which the artist tries to appeal to her audience because they are the colours of both the British and the American flags. This is not unusual for an artist however it isn’t expected from this artist as she is Canadian not American or British however by having these colours on the CD cover she will instantly appeal to a patriotic audience. Another reason for the use of these colours could be an attempt on the artists’ part to try and bridge the gap between the different, yet extremely similar cultures.

The artists’ blonde hair fits the genre stereotype. This ensures her target audience is reached and consider her fashionable and a role model.

The albums title is suited to the genre as it is cartoon style and very girly looking whilst using ‘rock’ images such as cross bones, it is playing off the traditional skull and crossbones image. This creates a unique look which is easy to read due to the clear copy which is all capital.

The artist challenges character stereotypes by not sexualising herself. Absolutely nothing about her could be considered sexual besides her facial expression. Her expression is neutral to the point of acting ‘hard to get’ which completely contradicts the song ‘girlfriend’ where the artist is trying to draw a guy away from another girl.



Unfortunately I was unable to find the back cover for this CD.



P!NK - So what



Everything about this CD cover connotes power, particularly the leather jacket and the way her hands are positioned. This communicates a strong female role model to the audience, with an edge of masculinity. It could be seen as a post feminist representation of a woman.

The colour of the copy draws attention to the artists’ name purely because it is green rather than pink as one would expect. The ‘!’ in the artists’ name also does this in addition to making her name a little quirky and interesting.

Despite this only being a mid shot the artists’ entire body is within the frame due to her pose. By posing as she is she is empowering herself as nothing about her is sexual in any way and it makes her look as though she is ready to take on anything. By using a direct mode of address this idea is reinforced and the gender stereotype is challenged. She appears to be very masculine though her costume and position within the frame however her name has a huge number of female connotations.

The black background ensures the audiences’ attention is focused solely on the artist as she is he most important thing within the frame and the only way to pass any message to the audience.






Ashlee Simpson - Boyfriend



For this CD cover Ashlee Simpson uses direct mode of address in order to connect with her target audience through uses of the uses and gratifications audience theory. Everything on his CD cover is in some way drawing in the artists’ audience.

Her costume particularly aids her in doing this. By wearing the gel bracelets she is engaging in common trends amongst teenagers which have numerous sexual connotations which links into the actual outfit the artist is wearing. By wearing a shirt and tie she is drawing attention to her youth in addition to drawing in the audience and imitating Britney Spears famous naughty schoolgirl look which goes through periods of being really popular with teenagers. Overall her outfit makes her look quite childish but her facial expression gives the opposite impression. Her moody facial expression and overtly sexual pose show she is mature and not quite as innocent as she is trying to appear to a younger audience. To an older audience she gives a naughty schoolgirl impression and appears to be trying to appeal to male fantasies. The fact that her facial expression is moody also makes it quite sultry so her differing audiences can both identify with her.

The colour scheme on this CD cover also has quite ‘naughty’ connotations as red is a colour with romantic connotations whilst black is quite a rebellious colour.

The copy is positioned at slants to show she’s not on the ‘straight and narrow’. This combined with the schoolgirl appearance shows the artist does not conform to rules. This is, to a point, challenging the gender stereotype as she is not depicted as a stereotypically well behaved girl.


Back cover

The background from the front cover of this CD continues to the back. There is a warm feel to this background as it looks as though it is textured, this links into the pop element of the music.
All the necessary information is on the back cover for sales and copyrighting purposes. Despite having al this information the back image is not obscured and is still as provocative as originally intended as it shows the artists cleavage.

Although the copy on the back cover is different to that on the front cover is still fits into the rebel scene.

Wednesday, 7 October 2009

CD cover questionnaire...

Questionnaire

1) What colours appeal to you on the front cover of a CD?
_________________________________________

2) What images do you expect to see on the front cover?
_________________________________________

3) What images do you expect to see on the back cover?
_________________________________________

4) Do you expect to see the artist on the front cover?

Yes

No

5) Do you prefer capital lettering or lower case styles? Which stands our to you more?

Preference:

Capital

Lower

Stands out more:

Capital

Lower

6) Do you prefer a plain cover or a busy cover?

Plain

Busy

7) What copy do you expect on the front cover? Eg. artist name…
_________________________________________

Monday, 5 October 2009

EMI

EMI is one of the world's leading music companies, home to some of the most successful and best known recording artists, songwriters and music catalogues.Through our own companies and network of licensees, we are able to serve our artists, writers and consumers all over the world.EMI has two operational divisions - EMI Music and EMI Music Publishing.EMI MusicEMI Music brings artists and fans together by driving action and creating value wherever music is experienced. To do this most effectively it is divided into three business units: New Music, Catalogue and Music Services.New Music finds and develops new, exciting and successful music. Its record labels include Angel, Astralwerks, Blue Note, Capitol, Capitol Nashville, EMI Classics, EMI CMG, EMI Records, EMI Televisa Music, Manhattan, Mute, Parlophone and Virgin. Artists on EMI labels include Lily Allen, The Beatles, Beastie Boys, Coldplay, Depeche Mode, Doves, Gorillaz, Iron Maiden, Norah Jones, Massive Attack, Kylie Minogue, Katy Perry, Pink Floyd, Queen, Sir Simon Rattle, 30 Seconds To Mars, KT Tunstall, Keith Urban and Robbie Williams, as well as international artists such as Amaral (Spain), Camille (France), Empire of the Sun (Australia), Tiziano Ferro (Italy), Flex (Mexico), LaFee (Germany) and Utada Hikaru (Japan).
Catalogue maximises the value of EMI's historic and extensive music assets. Seminal albums in EMI Music's catalogue include Hunky Dory and Aladdin Sane (David Bowie), Revolver and Sgt. Pepper's Lonely Heart's Club Band (The Beatles), Pet Sounds (Beach Boys), A Rush Of Blood To The Head (Coldplay), Birth Of The Cool (Miles Davis), Come Away With Me (Norah Jones), Dark Side Of The Moon and The Wall (Pink Floyd), A Night At The Opera (Queen), OK Computer (Radiohead) and Songs For Swingin' Lovers (Frank Sinatra). EMI Music's Catalogue division also owns and runs the world-renowned recording studios Abbey Road in London and Capitol Studios in Los Angeles.Music Services' mission is to provide EMI's roster of artists - as well as independent labels and artists - with a global menu of commercial services and seamless access to an expanding range of revenue streams and business models. It is focused on delivering revenues to EMI's artists, as well as to the independent label and artist community, and is the industry's only one-stop shop for accessing a global marketplace of traditional and non-traditional commercial partners. Music Services poves focus and solid execution can provide unique value to EMI's roster and associated artists in key functions like licensing, synch and distribution. EMI Music PublishingMusic publishing is the business of acquiring, protecting, administering and exploiting the rights in musical compositions. It is a business based on the songs themselves, as distinct from the recordings in which those songs are performed. Every commercial use of a musical composition requires a license and compensation to the songwriter and his or her publisher. The music publisher's role is to assure that the works it represents are used commercially, and to then ensure that proper remuneration is received in consideration for that use.EMI Music Publishing is the world's most creative music publisher, with one of the best collections of musical compositions and songwriters ever assembled. Active songwriters include James Blunt, the Arctic Monkeys, Alicia Keys, Duffy, Amy Winehouse, Hinder, Kanye West, Beyonce, Pharrell Williams, Jay-Z, Nelly Furtado, Norah Jones and Natasha Bedingfield. Among the iconic songs in the EMI Music Publishing catalogue are Bohemian Rhapsody, New York New York, You've Got A Friend, The James Bond Theme, Lady Marmalade, Ain't No Mountain High Enough, Always On My Mind, Over The Rainbow, I Heard It Through The Grapevine and Singin' In the Rain. Our publishing catalogues include SBK (CBS Songs, MGM and United Artists), Filmtrax (Columbia Pictures & Television), Screen Gems, Virgin, Jobete (Motown) and Windswept PacificFor more information on EMI Music Publishing, their writers and catalogue, please visitwww.emimusicpub.comInnovationEMI traces its history back to the very beginnings of recorded sound and music as one of our original companies was founded by the inventor of the gramophone, Emile Berliner.Since then EMI has always been at the forefront of technology and change. EMI scientists invented stereo recording and were closely involved in the development of magnetic tape. They were also behind the birth of electrical television and radar. Given our heritage of innovation, when digital music began to take off in the 1990s, EMI was well placed to respond to the new trends. EMI Music's first websites went live in 1993 and 1994 and in 1998 EMI streamed the first complete album over the internet, Mezzanine by Massive Attack. The following year EMI was the first company to release a digital album download, David Bowie's …Hours. EMI also launched the first internet video single in 2001. In 2007 EMI became the first major music company to make its music available without digital rights management (DRM) software.Today EMI Music has agreements with hundreds of digital partners to distribute our music across the globe, covering a huge variety of digital music business models and ideas.OwnershipIn 2007 EMI was acquired by leading private equity partnership Terra Firma, making EMI the only privately-owned major music company.

Friday, 12 June 2009

Questionnaire

Music Questionnaire

How old are you?

Under 11                                                        26-30

12-15                                                            31-40

16-18                                                            41-50

19-25                                                            Over 50

What genre of music do you like the most?

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What do you like about this genre audibly?

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What do you like about this genre visually? (Music videos)

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Which bands of this genre do you like?

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Why do you like this band?

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Is there anything you don’t like about this genre?

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What genres do you dislike?

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Why do you dislike these genres?

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What are your top 3 music genres?

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Do you watch music videos?

Yes
No
Sometimes

Which music channels do you watch?

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Why do you watch these music channels?

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What do you expect to see in a music video?

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